Posing is unnatural to horses. Only one person can do it, and she is the lady equestrian photographer from Pasadena, California, whose works are displayed in many celebrity homes. She has grown from the girl who borrowed a camera from Pasadena City College (PCC) to the woman who follows tracks and shows and boasts pictures of the Olympics in Montreal and British Princess Anne.
The easiest recourse for her, after graduating from Pasadena High School, was to practice on horses for her PCC photography classes. Since she was 10 years old, she practically lived at the Eaton Canyon Riding Stables. She completed her assignments by photographing horses with her borrowed camera. Once she sold her first horse photo, she gave up music, art, and journalism.
She began her apprenticeship under two renowned equestrian photographers at a show in Santa Barbara, after which they traveled all over the country together for the next two years photographing tracks, shows, and state fairs. Later she joined another equestrian photography pair who concentrated their work in California. Today, she uses a Swedish camera with German lens, and her mother takes care of the business side of things.
Active shots are her style, like horses clearing six-foot hurdles and nosing it for first place. But for the lady with the camera horses also sit on all 4 hoofs for formal portraits. Then there are fun horses that enjoy the camera's attention. They perk their ears or raise their heads once they realize a camera is trained on them. Others are downright bored and blas?.
There are a few rules of thumb when it comes to taking a good horse photo. One type of horses, the hunters and jumpers, are best shot mid-air with legs bent at the right angle. The best pictures of Tennessee walkers, in contrast, are when they have their front hoofs in action and an over reaching hoof with their hind legs. A stock horse should be caught stopping in a slide, and a saddle horse should be caught with legs and head held high. She has received much acknowledgement for her work on the Peruvian Paso, an endangered South American species that many groups are working on multiplying. It would be best to snap a picture when their forelegs are pointed away from their bodies. Their value increases with the white ponchos and elaborate gear sported by their riders.
Photography has enabled her to see many celebrity horse lovers. Her camera work had her talking with royalty. She was able to get close to the Queen, of all people, after photographing Princess Anne at the Montreal Olympics. She asked Queen Elizabeth how it felt to watch her daughter take the high jump, and she said it made her quite nervous. Not long ago for a change of career pace, the photographer, who in her spare time swims, back packs, bicycles, pans for gold and sometimes even rides a horse, took on an industrial job snapping pictures of forklifts.
With fork lifts, there is no need to look for perked ears.
The easiest recourse for her, after graduating from Pasadena High School, was to practice on horses for her PCC photography classes. Since she was 10 years old, she practically lived at the Eaton Canyon Riding Stables. She completed her assignments by photographing horses with her borrowed camera. Once she sold her first horse photo, she gave up music, art, and journalism.
She began her apprenticeship under two renowned equestrian photographers at a show in Santa Barbara, after which they traveled all over the country together for the next two years photographing tracks, shows, and state fairs. Later she joined another equestrian photography pair who concentrated their work in California. Today, she uses a Swedish camera with German lens, and her mother takes care of the business side of things.
Active shots are her style, like horses clearing six-foot hurdles and nosing it for first place. But for the lady with the camera horses also sit on all 4 hoofs for formal portraits. Then there are fun horses that enjoy the camera's attention. They perk their ears or raise their heads once they realize a camera is trained on them. Others are downright bored and blas?.
There are a few rules of thumb when it comes to taking a good horse photo. One type of horses, the hunters and jumpers, are best shot mid-air with legs bent at the right angle. The best pictures of Tennessee walkers, in contrast, are when they have their front hoofs in action and an over reaching hoof with their hind legs. A stock horse should be caught stopping in a slide, and a saddle horse should be caught with legs and head held high. She has received much acknowledgement for her work on the Peruvian Paso, an endangered South American species that many groups are working on multiplying. It would be best to snap a picture when their forelegs are pointed away from their bodies. Their value increases with the white ponchos and elaborate gear sported by their riders.
Photography has enabled her to see many celebrity horse lovers. Her camera work had her talking with royalty. She was able to get close to the Queen, of all people, after photographing Princess Anne at the Montreal Olympics. She asked Queen Elizabeth how it felt to watch her daughter take the high jump, and she said it made her quite nervous. Not long ago for a change of career pace, the photographer, who in her spare time swims, back packs, bicycles, pans for gold and sometimes even rides a horse, took on an industrial job snapping pictures of forklifts.
With fork lifts, there is no need to look for perked ears.
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Gain a deeper understanding on horse portrait commission and the broader subject of paintings. You'll get a great understanding of paintings when you browse create oil paintings from photos.
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